top of page
PRESS
Underneath are published articles written about Davion " Dismoc Le Ma " Coleman.
​
Q&A with Canvas Rebel
published 10/10/22​
Dismoc Le Ma states:
Freedom!... To free yourself from media, government programming, or societal peer pressure is mentally cleansing...
click here to view the full article
​
Dan Culpepper Writes
published 1/30/22
​
"I instantly found this remarkable exhibit to be pleasing and informative. The message is compelling, and the symbolism is potent.
The 3D interactive portion was mesmerizing. The incredible videos adequately provided an additional layer of splendid entertainment and valuable insight."
​
click here to view the full article
​
Q&A with VoyageSTL
published 1/21/22
​
Dismoc Le Ma states:
The road has been the furthest from smooth. As I look back on my journey, all my accomplishments are overshadowed by darkness fueled by continuous family issues and imbalanced relationships.
​
click here to view the full article
​
Dr. Mugabe Writes
published 1/21/22
​
Why is red considered so sensual? Does wearing red makes you more attractive, or is it a cry for attention? I have another theory: red is the practice of mediocrity for the non-creative.
​
click here to view the full article
​
​
Lukumi Arlota Writes
published 11/18/21
​
When you view the artwork you are definitely in for a treat of symbolism and an artist's narrative.
​
click here to view the full article
​
​
Father's Shoes
published 10/27/20
​
Two paintings were published in Mag Twenty-Twenty.
​
click here to view the full article
​
​
Q&A with Voyage Chicago
published 5/15/18
​
Dismoc Le Ma states:
I’m a visual artist, my artwork is bold, colorful, high contrast, and figurative. My work normally represents a story or an expression. My work tends to have heavy brush strokes and texture which I use to convey a certain feeling. I want people to engage in my work and see their life through my painting or emotionally connect with the painting.
​
click here to view the full article
​
​
Anna Ojascastro Guzon of YourWords STL writes
published 4/13/16
​
The students began the class sitting toward the back of the room, but on Coleman’s urging, they ended up standing, encircling Coleman and his artwork. At the start of class, I perceived a slight Let’s see how good this guy really is mood, but as the illustrations were revealed, subtle amazement and pride in their own writing edged out signs of pessimism.
​
click here to view the full article
Contact Anchor
bottom of page